[1] Da Silva Evangelista, Marcus Vinicius. Estudo comparativo do efeito de três diferentes surdinas na sonoridade de seis violinos: alterações na intensidade e no espectro harmônico. Belo Horizonte, 2019. 195 f. Dissertação (Mestrado em Música). Universidade Federal de Minas Gerais, Belo Horizonte, 2019. https://repositorio.ufmg.br/handle/1843/32235
[2] Da Silva Evangelista, Marcus Vinicius. Estudo comparativo do efeito de três diferentes surdinas na intensidade sonora de seis violinos. Anais do SIMPOM, v. 6, n. 6, 2020. http://seer.unirio.br/simpom/article/view/10721
[3] Da Silva Evangelista, Marcus Vinicius; Freire, Sérgio; Garcia, Maurício Freire; Mota, Davi Alves. Estudo comparativo do efeito de três diferentes surdinas na LTAS de seis violinos. In: Congresso da Anppom, XXX, 2020, Manaus/AM. http://anppomcongressos. org.br/index.php/30anppom/30CongrAnppo m/paper/viewFile/231/139
[4] Da Silva Evangelista, Marcus Vinicius; Freire, Sérgio. Emprego de síntese por modelagem espectral para análise comparativa do residual não harmônico na sonoridade do violino com o uso de diferentes surdinas. In: Congresso da Anppom, XXXI, 2021, João Pessoa/PB. https://anppomcongressos. org.br/index.php/31anppom/31CongrAnppo m/paper/viewFile/637/374
[5] Loughridge, Deirdre. Muted violins from Lully to Haydn. Early Music, v. 44, n. 3, p. 427-447, 2016. doi: 10.1093/em/caw061.
[6] Sarch, Kenneth. Con Sordino: The Art of the Mute. American String Teacher, v. 67, n. 4, p. 24-29, 2017. doi: 10.1177/0003131317735028.
[7] Cremer, Lothar. The Physics of the Violin, translated by JS Allen. Cambridge, MA, 1984.
[8] Donoso, José Pedro et al. A física do violino. Revista Brasileira de Ensino de Física, v. 30, n. 2, p. 2305.1- 2305.21, 2008. doi:10.1590/S1806- 11172008000200006.
[9] Rossing, Thomas D.; Morrison, Andrew. The science of string instruments. New York: Springer, 2010.
[10] Fletcher, Neville H.; Rossing, Thomas. The physics of musical instruments. Springer Science & Business Media, 2012.
[11] Giltay, J. W.; Haas, M. de. On the motion of the bridge of the violin. In: KNAW, Proceedings. 1909. p. 1909-1910.
[12] Elie, Benjamin; Gautier, François; David, Bertrand. Acoustic signature of violins based on bridge transfer mobility measurements. The Journal of the Acoustical Society of America, v. 136, n. 3, p. 1385-1393, 2014. doi: 10.1121/1.4892762.
[13] Jansson, E. V.; Sundberg, Johan. Long-timeaverage- spectra applied to analysis of music. Part I: Method and general applications. Acta Acustica united with Acustica, v. 34, n. 1, p. 15-19, 1975.
[14] Kishi, Kenshi. Influence of the Weight of Mutes on Tones of a Violin Family. The Journal of the Acoustical Society of America, v. 103, n. 5, p. 2916-2916, 1998. doi: 10.1121/1.422097.
[15] Tajimi, Tomotaka et al. ACF Analysis over the Open Strings’ Sound of a Violin with and without various mutes. UK Institute of Acoustics Day Meeting Sheffield, 2011.
[16] Fletcher, Harvey; Munson, Wilden A. Loudness, its definition, measurement and calculation. Bell System Technical Journal, v. 12, n. 4, p. 377-430, 1933. doi: 10.1002/j.1538-7305.1933.tb00403.x.
[17] Zwicker, Eberhard; Scharf, Bertram. A model of loudness summation. Psychological review, v. 72, n. 1, p. 3-26, 1965. doi: 10.1037/h0021703.
[18] Campbell, Murray; Greated, Clive. The musician's guide to acoustics. OUP Oxford, 1987.
[19] Serra, Xavier; Smith, Julius. Spectral modeling synthesis: A sound analysis/synthesis system based on a deterministic plus stochastic decomposition. Computer Music Journal, v. 14, n. 4, p. 12-24, 1990. doi: 10.2307/3680788.
[20] Bonada, Jordi et al. Spectral processing. DAFX Digital Audio Effects, p. 393-444, 2011.
[21] Woodhouse, Jim. On the “bridge hill” of the violin. Acta acustica united with acustica, v. 91, n. 1, p. 155-165, 2005.